From the moment I could read, I always had my head in a book, and imagined I would be the next E. B. White or E. L. Konigsburg. But after earning an undergraduate degree in English Literature from Williams College, I started working as a children’s book editor at Harper & Row (now HarperCollins) and realized this was my true calling. I began my career as an editorial assistant, and during fourteen years at Harper worked my way up to become editorial director and vice president. I’ve also earned graduate degrees from Michigan and Harvard, and worked as a freelance children’s book editor while raising my daughter in Chicago.
After I graduated, I opened up the newspaper to look for a job in editing. There were dozens of jobs but my eye immediately gravitated to the editorial assistant job at Harper. Through my late teens and twenties, my secret passion was to read middle grade and young adult novels, and I couldn’t believe there was actually a job where I could edit these books! I thought I bombed the interview—I was so nervous I had to take the typing test twice—but I must have done something right, since I was offered the job the next day. I started working first for the legendary Marilyn Kriney, and then for Kate Morgan Jackson, who has been the editor-in-chief for over a decade.
My very first acquisition was Gail Carson Levine’s Ella Enchanted. I loved the novel from the first, and remember running into Kate’s office saying we had to acquire the book right away. It went on to win the Newbery Honor and remains one of my favorite books of all time. I also edited Louise Rennison’s hilarious Angus, Thongs, and Full-Frontal Snogging series about the irrepressible Georgia Nicolson; the first book in the series won a Michael Printz Honor Award. That said, there are so many books I worked on that hold a special place in my heart: Julianna Baggott’s The Anybodies (written under the name N. E. Bode), Cynthia Rylant’s God Went to Beauty School, and A. M. Jenkins’s Out of Order and Damage. What I love about all the books I’ve edited is not only that they’re wonderfully written, but that they feel fresh and different, and have something important to say to their audience.
During my tenure at HarperCollins, I took on the role of director of foreign acquisitions. This meant I got to read the wonderful books being published in the UK (and elsewhere, but mostly the UK) and introduce them to a US audience. It was so exciting to meet my UK counterparts and I’m particularly proud of having acquired the Molly Moon series by Georgia Byng and The Chronicles of Ancient Darkness series by Michelle Paver.
One of the things I’m so excited about in joining the Carolrhoda team is their commitment to publishing only the best books. They keep their list small and no book is considered “mid-list.” Each author is nurtured not only by his or her editor, but also by the design team, the publicity and marketing team, our foreign rights director—essentially, the whole company helps publish each book. In addition, Carolrhoda Books and Carolrhoda Lab have embraced working with new authors and publishing books that break boundaries—no topic is off limits. This philosophy speaks deeply to me, and I look forward to growing the list and staying true to its mission.